Deep Sea Diver LP: Billboard Heart (Loser Pink Vinyl) ***Release date 28th February 2025***
St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It’s their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson’s conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, Three years before Dobson’s galvanizing dinner with Park, Deep Sea Diver issued its third album, 2020’s Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up, and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea’s impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair’s songwriting partnership.
From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It’s a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunneling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. “Emergency” links hardcore’s vim to electroclash’s instant allure with Dobson’s captivating vocals and guitar work in the spotlight. Tender and vulnerable, “Tiny Threads” is a sweeping anthem for anyone trying to hold anything together—life, love, themselves. “If it haunts me, let it haunt me,” Dobson sings softly over a stillness framed only by bass and noise. She lets her guitar careen into feedback, then steadily sculpts it into something tuneful. It’s a lifetime of anxiety and sublimation, crystallized into 10 seconds. Billboard Heart feels that way at large. Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.
St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It’s their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson’s conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, Three years before Dobson’s galvanizing dinner with Park, Deep Sea Diver issued its third album, 2020’s Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up, and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea’s impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair’s songwriting partnership.
From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It’s a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunneling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. “Emergency” links hardcore’s vim to electroclash’s instant allure with Dobson’s captivating vocals and guitar work in the spotlight. Tender and vulnerable, “Tiny Threads” is a sweeping anthem for anyone trying to hold anything together—life, love, themselves. “If it haunts me, let it haunt me,” Dobson sings softly over a stillness framed only by bass and noise. She lets her guitar careen into feedback, then steadily sculpts it into something tuneful. It’s a lifetime of anxiety and sublimation, crystallized into 10 seconds. Billboard Heart feels that way at large. Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.
St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It’s their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson’s conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, Three years before Dobson’s galvanizing dinner with Park, Deep Sea Diver issued its third album, 2020’s Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up, and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea’s impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair’s songwriting partnership.
From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It’s a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunneling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. “Emergency” links hardcore’s vim to electroclash’s instant allure with Dobson’s captivating vocals and guitar work in the spotlight. Tender and vulnerable, “Tiny Threads” is a sweeping anthem for anyone trying to hold anything together—life, love, themselves. “If it haunts me, let it haunt me,” Dobson sings softly over a stillness framed only by bass and noise. She lets her guitar careen into feedback, then steadily sculpts it into something tuneful. It’s a lifetime of anxiety and sublimation, crystallized into 10 seconds. Billboard Heart feels that way at large. Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.
